Vladimir Makovsky dwells firmly in the shadows, with no more than a whisper of light. Temperature is cool-dominant, with blue and green families claiming the largest areas. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. Vladimir Makovsky gives 36.0% of the composition to a single #0F0F0D - a decisive chromatic anchor. The highest-chroma note - #BEAB76 - appears at just 3.2%, deployed as a precision accent against the quieter ground. A value spread of 68 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. Palette 12 sits within the larger chromatic argument that Vladimir Makovsky's complete body of work advances.