Values in Toby Edward Rosenthal rest in the mid-range - neither dramatically lit nor steeped in shadow. Toby Edward Rosenthal tilts toward cool - blues and silver-greys carry the structural weight. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. The highest-chroma note - #643B33 - appears at just 4.4%, deployed as a precision accent against the quieter ground. At 52 units across the value scale, the palette keeps contrast readable without letting it dominate. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 2 sits within the larger chromatic argument that Toby Edward Rosenthal's complete body of work advances.