Darkness anchors Thomas Pollock Anshutz; light is rationed, creating dramatic contrast rather than open air. Warm hues command this palette; Thomas Pollock Anshutz favours the reds, oranges, and yellows of firelight and earth. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. At 44.6%, #272421 functions less as a colour accent and more as a complete atmospheric environment. At 1.4%, #863125 carries the palette's sharpest chromatic charge: an accent that earns its place precisely because it is withheld. The full value range is 70 units: broad enough to build convincing three-dimensional form. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. This is palette 7 of Thomas Pollock Anshutz's sequence - a single chapter in a chromatic story told across many works.