Mid-key values give Thomas Moran its characteristic quietness - nothing blazes, nothing disappears. Warm and cool tones are held in careful balance - neither family dominates, creating tension and resolution simultaneously. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. 25.3% of the palette belongs to #2F271A, a concentration that makes it the unmistakable visual centre. Only 8.0% is devoted to #6B5928, yet that small allocation delivers the palette's entire chromatic tension. 69 units of value range underpin the palette's structural clarity: the eye always knows where light falls. Palette 16 sits within the larger chromatic argument that Thomas Moran's complete body of work advances.