Thomas James Lloyd distributes its values across the middle register, creating harmony without high contrast. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. A restrained, mid-chroma palette: every hue is present and legible, but nothing shouts. The most saturated colour, #A08449, is reserved to 7.3% of the surface, where it acts as a focal punctuation. The palette spans 38 value units: a measured range that delivers coherence over drama. Together these qualities point to the open-air Impressionist method: recording light rather than local colour. Thomas James Lloyd's palette 4 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.