Thomas James Lloyd sits in the centre of the value range, lending the palette a sense of even, sustained light. Temperature is cool-dominant, with blue and green families claiming the largest areas. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. The highest-chroma note - #8E7553 - appears at just 6.4%, deployed as a precision accent against the quieter ground. The value range of 39 units sits in the comfortable middle: enough depth, enough light, neither extreme. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 3 of Thomas James Lloyd's sequence - a single chapter in a chromatic story told across many works.