Mid-key values give Samuel Scott its characteristic quietness - nothing blazes, nothing disappears. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #39505D - appears at just 10.8%, deployed as a precision accent against the quieter ground. Spanning 51 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 5 of Samuel Scott's sequence - a single chapter in a chromatic story told across many works.