James McDougal Hart distributes its values across the middle register, creating harmony without high contrast. James McDougal Hart tilts toward cool - blues and silver-greys carry the structural weight. Muted throughout, the palette achieves its effects through value and temperature rather than chromatic force. #745C32 functions as the palette's exclamation mark: highest chroma, lowest percentage (4.9%). Value range is moderate at 52 units - enough contrast for legibility, not so much as to fragment the tonal unity. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 5 sits within the larger chromatic argument that James McDougal Hart's complete body of work advances.