Paul Sandby is strongly light-biased - shadow is suggested rather than declared. Paul Sandby tilts toward cool - blues and silver-greys carry the structural weight. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The most saturated colour, #BBAC94, is reserved to 7.7% of the surface, where it acts as a focal punctuation. A value spread of 57 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 1 sits within the larger chromatic argument that Paul Sandby's complete body of work advances.