The palette of Michael Peter Ancher sits in the lower register of the value scale - dense, contained, and weighted. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. All colours lean toward grey, building depth through value rather than colour punch. 59.1% of the palette belongs to #0E120E, a concentration that makes it the unmistakable visual centre. The most saturated colour, #9A7D42, is reserved to 2.4% of the surface, where it acts as a focal punctuation. 64 units of value range underpin the palette's structural clarity: the eye always knows where light falls. Together these qualities place Michael Peter Ancher firmly in the tonal tradition - concerned with mood and atmosphere rather than chromatic display. Palette 4 sits within the larger chromatic argument that Michael Peter Ancher's complete body of work advances.