Mid-key values give Max Ernst its characteristic quietness - nothing blazes, nothing disappears. Max Ernst tilts toward cool - blues and silver-greys carry the structural weight. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. Only 3.9% is devoted to #A65A52, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 56 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. Palette 9 sits within the larger chromatic argument that Max Ernst's complete body of work advances.