The high-key values of Max Ernst give it an effulgent, almost bleached quality. Temperature is cool-dominant, with blue and green families claiming the largest areas. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. Max Ernst gives 41.2% of the composition to a single #FAF1D1 - a decisive chromatic anchor. #2D406D functions as the palette's exclamation mark: highest chroma, lowest percentage (1.6%). 64 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 1 of Max Ernst's sequence - a single chapter in a chromatic story told across many works.