Jules Pascin is strongly light-biased - shadow is suggested rather than declared. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. Only 6.9% is devoted to #D5C6AD, yet that small allocation delivers the palette's entire chromatic tension. From deepest dark to palest light, the palette traverses 61 units of the value scale - a span that creates natural depth. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. Palette 1 sits within the larger chromatic argument that Jules Pascin's complete body of work advances.