John Greenhill keeps values measured and balanced, a hallmark of tonal restraint. Yellow, ochre, sienna: warm hues that John Greenhill deploys as the palette's primary energy. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The dominant colour, #382A19, takes 27.5% of the total area, establishing the overall mood before any other hue is introduced. Only 6.7% is devoted to #50230E, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 69 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Palette 3 sits within the larger chromatic argument that John Greenhill's complete body of work advances.