John Bradley is high in key: pale, luminous, and filled with optical air. John Bradley builds on cool foundations: the palette favours the blue-cyan-green arc. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. 28.2% of the palette belongs to #CCE3D2, a concentration that makes it the unmistakable visual centre. The most saturated colour, #473B18, is reserved to 3.6% of the surface, where it acts as a focal punctuation. The full value range is 73 units: broad enough to build convincing three-dimensional form. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. Palette 2 sits within the larger chromatic argument that John Bradley's complete body of work advances.