Jan van Eyck occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Temperature reads distinctly warm: the reds and earth tones from Jan van Eyck carry the compositional weight. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. 26.5% of the palette belongs to #53392D, a concentration that makes it the unmistakable visual centre. Only 5.1% is devoted to #C6915B, yet that small allocation delivers the palette's entire chromatic tension. 71 units of value range underpin the palette's structural clarity: the eye always knows where light falls. Taken together, these qualities constitute Jan van Eyck's chromatic voice - distinctive enough to be read across an entire body of work.