Jan de Baen dwells firmly in the shadows, with no more than a whisper of light. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. At 47.0%, #171610 functions less as a colour accent and more as a complete atmospheric environment. #53301B functions as the palette's exclamation mark: highest chroma, lowest percentage (0.9%). 52 units of value spread create a palette that is varied but unified - contrast in the service of harmony. This tonal restraint is characteristic of the Jan de Baen approach: colour serves light, not the reverse. These proportions encode Jan de Baen's instinctive sense of how much of each quality the eye can hold.