James Thornhill keeps values measured and balanced, a hallmark of tonal restraint. Warm hues command this palette; James Thornhill favours the reds, oranges, and yellows of firelight and earth. Colours are neither washed out nor blazing; they occupy the productive middle ground of the chroma scale. The most saturated colour, #825917, is reserved to 5.7% of the surface, where it acts as a focal punctuation. Spanning 40 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. This is palette 4 of James Thornhill's sequence - a single chapter in a chromatic story told across many works.