Mid-key values give Jacques Aved its characteristic quietness - nothing blazes, nothing disappears. Warm hues command this palette; Jacques Aved favours the reds, oranges, and yellows of firelight and earth. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. The most saturated colour, #715539, is reserved to 4.7% of the surface, where it acts as a focal punctuation. A value spread of 72 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. These proportions encode Jacques Aved's instinctive sense of how much of each quality the eye can hold.