Jacques Aved works almost entirely in the lower half of the value scale, privileging depth over brilliance. Temperature reads distinctly warm: the reds and earth tones from Jacques Aved carry the compositional weight. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. A single dominant - #100A0C at 32.9% - sets the character of the whole composition. #8F302A delivers the chromatic peak at only 1.6% - a small shot of colour with outsized visual impact. The value range spans 70 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. Palette 4 sits within the larger chromatic argument that Jacques Aved's complete body of work advances.