Henry Stacy-Marks keeps values measured and balanced, a hallmark of tonal restraint. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #651910 - appears at just 3.1%, deployed as a precision accent against the quieter ground. 78 units of value range underpin the palette's structural clarity: the eye always knows where light falls. Henry Stacy-Marks's palette 4 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.