Mid-key values give Heinrich Schonfeld its characteristic quietness - nothing blazes, nothing disappears. Warm hues command this palette; Heinrich Schonfeld favours the reds, oranges, and yellows of firelight and earth. All colours lean toward grey, building depth through value rather than colour punch. Only 4.7% is devoted to #904E2F, yet that small allocation delivers the palette's entire chromatic tension. Spanning 47 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. Palette 6 sits within the larger chromatic argument that Heinrich Schonfeld's complete body of work advances.