Heinrich Schonfeld occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Warm and cool tones are held in careful balance - neither family dominates, creating tension and resolution simultaneously. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #B2A284 functions as the palette's exclamation mark: highest chroma, lowest percentage (2.5%). 49 units of value spread create a palette that is varied but unified - contrast in the service of harmony. This is palette 2 of Heinrich Schonfeld's sequence - a single chapter in a chromatic story told across many works.