Harry Clarke is strongly light-biased - shadow is suggested rather than declared. Harry Clarke builds on cool foundations: the palette favours the blue-cyan-green arc. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. #F4EDE1 at 34.3% of the palette: an overwhelming presence that pulls all other colours into its gravitational field. #E0B4A1 functions as the palette's exclamation mark: highest chroma, lowest percentage (8.2%). A value spread of 61 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. Palette 2 sits within the larger chromatic argument that Harry Clarke's complete body of work advances.