Hans Dahl is high-key - luminous, open, and weighted toward light. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. #FCFBFA at 35.8% of the palette: an overwhelming presence that pulls all other colours into its gravitational field. The highest-chroma note - #CDA255 - appears at just 8.8%, deployed as a precision accent against the quieter ground. Value range is moderate at 52 units - enough contrast for legibility, not so much as to fragment the tonal unity. This is palette 1 of Hans Dahl's sequence - a single chapter in a chromatic story told across many works.