Gustave de Smet is high-key - luminous, open, and weighted toward light. Gustave de Smet tilts toward cool - blues and silver-greys carry the structural weight. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. A single dominant - #DAC9AD at 25.9% - sets the character of the whole composition. Only 7.9% is devoted to #B38B38, yet that small allocation delivers the palette's entire chromatic tension. 67 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 2 of Gustave de Smet's sequence - a single chapter in a chromatic story told across many works.