Giacomo Balla keeps values measured and balanced, a hallmark of tonal restraint. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. Colours are neither washed out nor blazing; they occupy the productive middle ground of the chroma scale. The most saturated colour, #296A47, is reserved to 3.0% of the surface, where it acts as a focal punctuation. A value spread of 62 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The palette reads as an Impressionist one - light-biased, chromatically direct, and built on temperature contrast rather than value opposition. Giacomo Balla arrived at this balance through long practice; the palette carries the weight of that experience.