Low-key values are the structural spine of George Romney, giving it gravity and atmosphere. Warm and cool are kept in productive tension, creating the kind of chromatic harmony that sustains the eye. All colours lean toward grey, building depth through value rather than colour punch. The highest-chroma note - #CEB89A - appears at just 2.0%, deployed as a precision accent against the quieter ground. At 56 units of value range, the palette has the tonal breadth to sustain complex spatial readings. This tonal restraint is characteristic of the George Romney approach: colour serves light, not the reverse. George Romney's palette 14 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.