George Henry sits in the centre of the value range, lending the palette a sense of even, sustained light. George Henry builds on cool foundations: the palette favours the blue-cyan-green arc. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. Only 9.0% is devoted to #665630, yet that small allocation delivers the palette's entire chromatic tension. At 49 units across the value scale, the palette keeps contrast readable without letting it dominate. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 3 of George Henry's sequence - a single chapter in a chromatic story told across many works.