George Henry distributes its values across the middle register, creating harmony without high contrast. George Henry tilts toward cool - blues and silver-greys carry the structural weight. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. At 6.7%, #90793C carries the palette's sharpest chromatic charge: an accent that earns its place precisely because it is withheld. A value spread of 67 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 1 of George Henry's sequence - a single chapter in a chromatic story told across many works.