The palette of Gabriel Metsu sits in the lower register of the value scale - dense, contained, and weighted. Gabriel Metsu keeps warm and cool in parity, a balance that lends the work a perceptual shimmer. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The dominant colour, #100F15, takes 42.5% of the total area, establishing the overall mood before any other hue is introduced. The most saturated colour, #663C2F, is reserved to 5.0% of the surface, where it acts as a focal punctuation. A value spread of 74 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. Palette 2 sits within the larger chromatic argument that Gabriel Metsu's complete body of work advances.