Frederic Edwin Church distributes its values across the middle register, creating harmony without high contrast. Heat pervades this palette; warm chromatic identities outweigh cool ones at almost every weight. Chroma is moderate: colours carry enough saturation to be read as colour, but the palette stops well short of garish intensity. The highest-chroma note - #DB4B21 - appears at just 3.7%, deployed as a precision accent against the quieter ground. At 57 units of value range, the palette has the tonal breadth to sustain complex spatial readings. In the context of Frederic Edwin Church's full range of palettes, group 9 represents one movement in an ongoing chromatic dialogue.