Fanny Brate distributes its values across the middle register, creating harmony without high contrast. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #B58E52 - appears at just 2.9%, deployed as a precision accent against the quieter ground. The value range of 46 units sits in the comfortable middle: enough depth, enough light, neither extreme. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 1 sits within the larger chromatic argument that Fanny Brate's complete body of work advances.