Edward William Cooke keeps values measured and balanced, a hallmark of tonal restraint. Edward William Cooke builds on cool foundations: the palette favours the blue-cyan-green arc. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #A37424 - appears at just 3.0%, deployed as a precision accent against the quieter ground. 64 units of value range underpin the palette's structural clarity: the eye always knows where light falls. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. This is palette 4 of Edward William Cooke's sequence - a single chapter in a chromatic story told across many works.