Edward Wadsworth is strongly light-biased - shadow is suggested rather than declared. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. A single dominant - #85A8B6 at 30.4% - sets the character of the whole composition. #D7A972 delivers the chromatic peak at only 3.9% - a small shot of colour with outsized visual impact. The value range of 50 units sits in the comfortable middle: enough depth, enough light, neither extreme. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. This is palette 4 of Edward Wadsworth's sequence - a single chapter in a chromatic story told across many works.