Edward Wadsworth is strongly light-biased - shadow is suggested rather than declared. Temperature is cool-dominant, with blue and green families claiming the largest areas. Muted throughout, the palette achieves its effects through value and temperature rather than chromatic force. The highest-chroma note - #AA9876 - appears at just 5.4%, deployed as a precision accent against the quieter ground. At 60 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 3 of Edward Wadsworth's sequence - a single chapter in a chromatic story told across many works.