Edward Ladell works almost entirely in the lower half of the value scale, privileging depth over brilliance. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The dominant colour, #14120D, takes 32.0% of the total area, establishing the overall mood before any other hue is introduced. The most saturated colour, #9B3617, is reserved to 2.4% of the surface, where it acts as a focal punctuation. A value spread of 59 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Together these qualities place Edward Ladell firmly in the tonal tradition - concerned with mood and atmosphere rather than chromatic display. This is palette 5 of Edward Ladell's sequence - a single chapter in a chromatic story told across many works.