Edward Collier works almost entirely in the lower half of the value scale, privileging depth over brilliance. Yellow, ochre, sienna: warm hues that Edward Collier deploys as the palette's primary energy. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. At 28.2%, #191615 functions less as a colour accent and more as a complete atmospheric environment. The most saturated colour, #664125, is reserved to 4.3% of the surface, where it acts as a focal punctuation. Value range is moderate at 42 units - enough contrast for legibility, not so much as to fragment the tonal unity. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. Edward Collier's palette 5 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.