Edward Collier occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Warm hues command this palette; Edward Collier favours the reds, oranges, and yellows of firelight and earth. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. The highest-chroma note - #A74D2B - appears at just 2.2%, deployed as a precision accent against the quieter ground. At 58 units of value range, the palette has the tonal breadth to sustain complex spatial readings. This is palette 3 of Edward Collier's sequence - a single chapter in a chromatic story told across many works.