Edward Armitage is high in key: pale, luminous, and filled with optical air. Edward Armitage tilts toward cool - blues and silver-greys carry the structural weight. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The saturated accent, #9B7243, registers at 9.2% - sparse enough to feel like a deliberate surprise. 61 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 1 sits within the larger chromatic argument that Edward Armitage's complete body of work advances.