David James is high in key: pale, luminous, and filled with optical air. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Muted throughout, the palette achieves its effects through value and temperature rather than chromatic force. Only 7.0% is devoted to #BCA16A, yet that small allocation delivers the palette's entire chromatic tension. Value range is moderate at 53 units - enough contrast for legibility, not so much as to fragment the tonal unity. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. In the context of David James's full range of palettes, group 3 represents one movement in an ongoing chromatic dialogue.