Classicism occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. The artist keeps warm and cool in parity, a balance that lends the work a perceptual shimmer. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The dominant colour, #1A1719, takes 25.5% of the total area, establishing the overall mood before any other hue is introduced. The saturated accent, #415676, registers at 2.9% - sparse enough to feel like a deliberate surprise. A value spread of 71 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light.