Charles Robinson distributes its values across the middle register, creating harmony without high contrast. Charles Robinson tilts toward cool - blues and silver-greys carry the structural weight. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. #B47341 functions as the palette's exclamation mark: highest chroma, lowest percentage (5.7%). A value spread of 74 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 8 sits within the larger chromatic argument that Charles Robinson's complete body of work advances.