Across the bijinga movement, certain palette qualities recur - this distillation makes them visible at a glance. Values in bijinga tilt decisively toward white, giving the palette its luminous character. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. Only 1.4% is devoted to #547CDD, yet that small allocation delivers the palette's entire chromatic tension. The value range of 52 units sits in the comfortable middle: enough depth, enough light, neither extreme. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is the light that bijinga painters chose to live inside.