The palette of Andres de Santa Maria sits in the lower register of the value scale - dense, contained, and weighted. Cool hues prevail: blues, greens, and greys anchor the palette's emotional temperature. All colours lean toward grey, building depth through value rather than colour punch. 40.3% of the palette belongs to #131416, a concentration that makes it the unmistakable visual centre. Only 2.0% is devoted to #8D2C1E, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 55 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. This is palette 3 of Andres de Santa Maria's sequence - a single chapter in a chromatic story told across many works.