The palette of Alexander Pope sits in the lower register of the value scale - dense, contained, and weighted. Cool hues prevail: blues, greens, and greys anchor the palette's emotional temperature. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #54421E functions as the palette's exclamation mark: highest chroma, lowest percentage (11.5%). The full value range is 64 units: broad enough to build convincing three-dimensional form. This tonal restraint is characteristic of the Alexander Pope approach: colour serves light, not the reverse. Palette 5 sits within the larger chromatic argument that Alexander Pope's complete body of work advances.