Alexander Pope works almost entirely in the lower half of the value scale, privileging depth over brilliance. Alexander Pope balances warm and cool with remarkable evenness, giving the composition its characteristic vibrancy. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. A single dominant - #17141E at 42.0% - sets the character of the whole composition. #D5AC66 functions as the palette's exclamation mark: highest chroma, lowest percentage (1.6%). The value range spans 68 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. This tonal restraint is characteristic of the Alexander Pope approach: colour serves light, not the reverse. Palette 1 sits within the larger chromatic argument that Alexander Pope's complete body of work advances.