The value structure of Albert Zimmermann is mid-key: quiet, controlled, and cohesive. Albert Zimmermann tilts toward cool - blues and silver-greys carry the structural weight. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The highest-chroma note - #A88E4D - appears at just 7.8%, deployed as a precision accent against the quieter ground. The value range spans 60 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 4 of Albert Zimmermann's sequence - a single chapter in a chromatic story told across many works.