Albert Zimmermann keeps values measured and balanced, a hallmark of tonal restraint. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The most saturated colour, #8E7A4A, is reserved to 6.5% of the surface, where it acts as a focal punctuation. The value range spans 55 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Albert Zimmermann's palette 3 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.