Albert Zimmermann is high in key: pale, luminous, and filled with optical air. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. Only 9.7% is devoted to #E6DEC2, yet that small allocation delivers the palette's entire chromatic tension. The value range of 50 units sits in the comfortable middle: enough depth, enough light, neither extreme. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. Palette 2 sits within the larger chromatic argument that Albert Zimmermann's complete body of work advances.